Translate review to English. Ton van Oosterhout. 3.0 out of 5 stars Taruskin in Oxford History of Western Music. Reviewed in Germany on 3 December 2016. Verified Purchase. Apologies for writing in English, my German is not sufficient. Taruskin has written an enormous work on Western Music. It covers the whole literate tradition, beginning in the middle ages, right until the early 21st century.
Review. Superlative value.presents virtually all Taruskin's major writing on performance criticism. (Early Music)He is the most devastatingly acute of the growing band of critics and philosophers who question the whole idea of authentic performance practice.Music Magazine.The universally acclaimed and award-winning Oxford History of Western Music is a magisterial five-volume survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time, Richard Taruskin.The Oxford history of western music User Review - Not Available - Book Verdict. Taruskin (musicology, Berkeley) always thinks big, so it is no surprise that he has single-handedly produced a six-volume history of Western music from the earliest chant up to the present day.
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about early music and authenticity. Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field.
First, Taruskin starts off his book with an essay on what a History of Music should contain. He rather stridently positions himself as a historian who will show the 'why' instead of the mere 'what'. Having read through all this text, I don't think Taruskin delivers on his promise. The actual 'why' content of the books is surprisingly meagre.
Text and Act: Essays on Music and Performance - Ebook written by Richard Taruskin. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read Text and Act: Essays on Music and Performance.
Richard Taruskin and the History of Western Music H. publication under review are given by volume and page number.. this essay, I will be contemplating Taruskin’s partial recourse to it from a particular.
The Danger of Music and Other Anti-Utopian Essays - Ebook written by Richard Taruskin. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read The Danger of Music and Other Anti-Utopian Essays.
Last August we were thumbing through the Economist magazine only to find, with surprise, a review of Taruskin’s behemoth. This got us thinking: if a work so thoroughly intimidating to self-styled initiates into the world of music scholarship is getting served up as a review to the lay-person, then how difficult could this thing possibly be.
The Oxford History of Western Music Richard Taruskin Oxford University Press 5 volumes, published 2010 Buy at Amazon.com: Music history courses have been a standard part of college-level music instruction in the West for several generations.
Based on the award-winning six-volume work by Richard Taruskin, The Oxford History of Western Music, College Edition, presents the most up-to-date and comprehensive history of Western music available. DISTINCTIVE FEATURES - Offers a unique focus on the people behind music history - Places musical works within their larger cultural, social, and political contexts, providing.
Music in the Early Twentieth Century The Oxford History of Western Music Richard Taruskin. Full of helpful illustrations and musical examples; Provides greater attention to the full range of 20th century music, including American music as part of the mainstream tradition of western music, women in music, and popular music.
AbeBooks.com: The Oxford History of Western Music: College Edition (9780195097627) by Taruskin, Richard; Gibbs, Christopher H. and a great selection of similar New, Used and Collectible Books available now at great prices.
As a semi-professional singer and musicology graduate student in New York City in the mid-1980s, I had the opportunity to speak with other performers about their path to Early Music. Most performers, not surprisingly, told of training as Classical musicians who, fascinated by older repertories, retooled their technique for performing older music.
The week in blogging: Continuing with music of the 15th century, this week saw the emergence of a new category: the musical middle.What did it mean back then, and what does it mean today? (In Tinctoris’s estimation it had to do with the mediating role of Mary between the divine and the human; today, it has a lot to do with social class.).
Therefore, this review will not focus on any such details, important as they may be. Instead, attention will concentrate on 3 Taruskin’s principles of writing this history of western music (in the literate tradition), especially on the role of the canon and the relation between general history and music history. But first, I shortly summarise.
Acting up a text: the scholarship of performance and the performance of scholarship Richard Taruskin, Text and act: essays on music and performance (New York: Oxford University Press, 1995), hardback ?32.50, paperback ?13.99 It is difficult to express my opinion that this is the most significant publication in the field when the.